Lettione seconda pur della prattica di sonare il violone d’arco da tasti, composta per Silvestro Ganassi dal Fontego desideroso nella pictura, la quale tratta. Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only. Silvestro Ganassi’s La Fontegara (Venice ), a treatise methodologically describing instrumental diminutions, still remains enigmatic. By offering a contextual.
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Note that a few countries have copyright terms longer than 70 years: There are some minor differences from the Forni Facsimile Edition based on the Bologna copycompare f. Methods ; Performance practice ; Writings ; Divisions ; For recorder ; Scores featuring the recorder ; For 1 player ; Italian language.
Silvestro di Ganassi dal Fontegoalso given as Sylvestro di Ganassi dal FontegoSilvestro Ganasi dal Fontego flntegara, and Silvestro dal Fontego 1 January —  was a Venetian musician and author of two important treatises on instrumental technique. IMSLP assumes no legal responsibility or liability for the consequences of gwnassi files that are not in the public domain in your country.
This page was last edited on 26 Aprilat Please obey the copyright laws gnassi your country. Retrieved from ” https: Opera intitulata Fontegara Venice, In other projects Wikimedia Commons.
Ganassi’s Regola Rubertina is among the earliest sources of advice to the viol player on how to hold the bow.
From Wikimedia Commons, the free media repository. Title Opera intitulata Fontegara, la guale insegna a sonare di flauto chon tutta l’arte opportuna a esso istrumento massime il diminuire il guale sara utile ad ogni istrumento di fiato et chorde: Views View Edit History.
Ganassi page was last edited on 23 Novemberat None [ force assignment ] Fontefara Pub lication. There is also guidance on ornamentation — passaggi. The thumb and middle finger ensure, in holding the bow, that it does not fall, and the index finger serves to strengthen and stabilize it, keeping it on the strings and exerting more or less pressure according to the need. Public domain Public domain false false.
You know that the bow is to be held with three fingers, that is to say the thumb, the index and middle fingers. I can say that if you wished to play a piece which is in four or five parts while singing the fifth, you would need to use a longer bow than is customarily used.
His first treatise covers recorder playing: Editor Hildemarie Peter Contents 1 Performances 2 Sheet Music 2. Mexico has years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years.
Sylvestro Ganassi’s Fontegara
Summary [ edit ] Description Ganassi fontegara.
Sylvestro Ganassi – La fontegara – NaxosDirect
Retrieved from ” https: This fontehara may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. In a later passage, however, Ganassi makes it clear that the hair may be tensioned with the fingers in at least some circumstances, for example when playing chords to accompany a song:.
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. Then you could use the fingers to stretch the hairs when playing fewer strings or a single string.
The illustration from Regola Rubertina lower right, opposite appears to show this hold. Views Read Edit View history.
Opera Intitulata Fontegara